Friday Night Dinner: Bertie Blossoms
Bertie Blossoms is a tapas bar/restaurant near Ladbroke Grove, at the Northern end of Portobello Road.
We were sat at a table upstairs at the small cosy restaurant, going past a large abstract artwork by the owner. There were a few tables occupied, with the bar downstairs relatively busy too. It is not a large establishment, but it felt cosy and welcoming. The upstairs was a little low, so careful if you're tall like me!
The menu contains of a few bar snacks, and a dozen or so sharing plates — tapas style. We ordered the Padron Peppers from the snack menu, and the Gambas al Ajillo, Baby Carrots, Woodland Wild Mushrooms, and meatballs from the "To Share" section.
The dishes were served in a random order, with the meatballs first. They were served with a spicy Nduja sauce and topped with grated cheese. The baby carrots were served with some yoghurt, a Labneh, and had some toasted hazelnuts sprinkled over it. The wild mushrooms came with some toasted sourdough, which was great to lap the remaining juices up with. The gambas were whole, but it was easy to remove the flesh from the shell. Some focaccia on the side helped with the cooking juices again.
All the dishes were well presented and flavourful. Our only gripe was that many of the items of the sharing dishes came in odd numbers. And perhaps that half of the music was Ed Sheeran songs (played at a discreet volume) — but then again, that isn't bad considering he owns the place.
Friday Night Dinner: Mallow
Mallow is a plant based restaurant housed in an old building just outside Borough Market, around the corner from the Golden Hind.
We picked Mallow, as my wife had heard three separate groups of people raving about it when she was out and about in London. One group at the gym, one on the tube, and the third group whilst walking down Regent Street.
Whilst there were many lovely sounding things on the menu, we opted for the set sharing menu, with wine pairing, as an introduction to what Mallow had to offer.
The menu started with some plump Gordal olives, alongside some pimped up hummus (or tahini chickpeas as the menu puts it), served with squashy flat bread. We also enjoyed some tofu in a smoky red pepper sauce topped with some pickled veggies — there was a slight aniseed flavour which my wife is normally not a fan of, but found it palatable enough. Our starters were paired with a fragrant rosé wine.
The middle courses were a mushroom tortellini (which the table next door decided against, as its "default veggie you get everywhere"), and a mixed salad. The tortellini was tasty, with a good mushroom-y filling. We also enjoyed the lovely mixed salad with juicy bits of tangerine, a light dressing, candied nuts, caper berries, and pine nuts. These two came with a crowd-pleasingly fruity red wine.
Finally, there was a coconut Pasanda curry with cauliflower and tofu cubes. It came served with a flavoured pilau rice, which included almonds, pomegranate, and apricots. This was paired with a medium bodied white wine.
We considered dessert briefly, but were both too full, so we called it a night. We were delighted that when we asked for the bill, the waiter came with it, and the card machine — no hanging around here.
We would definitely return to Mallow, but would probably pick off the à la carte menu, and have fewer dishes — but even as people who aren't into a plant based diet, this was food we enjoyed, and we didn't miss the lack of meat or fish.
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Human Creations
Last year I wrote about how you can use ActivityPub, through the Fediverse to publish your own content, and being in control of it.
As part of a recent keynote that I gave at the Dutch PHP Conference I returned to this subject, but also reflected on what happens with the content you publish, and your rights over it.
Because in the last year, it has become clear, that lots of large and wealthy companies, don't really care about the latter.
What I mean by this becomes clear with the following examples.
When Gary Gale one day went to visit his Vaguely Rude Places Map site, he found that (AI) bots had eaten through his map tile allowance. He now hosts his site behind Cloudflare, being beholded to a Big Tech™ company again.
When I look at the web server logs for the php.net sites, I see that most of the uncached requests come from bots.
This also happens to other large sites, such as OpenStreetMap, which got hit by AI DDos Scraper Bots requesting an extreme amount of content from 100,000+ IP addresses; or Fediverse instances, such as infosec.exchange, which had to deal with more load.
All this scraping comes at a cost, but not to the scrapers, nor the users of these tools.
Although the content is freely available, the services hosting content still need to be funded. Instead of you giving up your privacy, you will need to pay for those with actual money for them to thrive, and exist.
But AI impacts content in other ways as well.
I need to be clear of what I mean with AI. I don't mean the visual recognition models to detect cancer faster, sifting through loads of data to find patterns, fraud detection, speech recognition, translation services, or deciphering my terrible handwriting.
I specifically mean Generative AI through LLMs — for articles, source code, and "art".
I have no beef with the actual technology either, only the exploitative nature of how these currently are created and hyped up.
Just like the Luddites weren't against new technology, but how this technology was used to exploit them.
I have written two books in my life, many years ago. The material in them has been slurped up into the LLMs, and one of them was originally part of the Anthropic law suit where they settled for using pirated copies of the books.
Mind you, not for using the book as training material.
Although the settlement was for 1.5 billion dollars, I still ended up getting nothing, as only American authors were compensated.
There are similarities with the code that I, and many others, have written.
Code, published under an open license. But these licenses often require attribution. How much attribution is now given when one of your chat bots produces parts of my code?
Nothing.
Which means that these tools are in breach of the licences under which the original code was published, and hence shouldn't exist.
Unfortunately, some governments, like mine in the UK, are less concerned about AI companies stealing content, although there are some indications that they've changed their tune.
I never gave permission for any of my content, be it books, code, nor photos, to be used by these tools, but they're still making money of it.
As a matter of fact, they are not only making money of it, but also making it a lot harder to host things ourselves by driving up costs for CPUs, GPUs, memory, and storage.
They are literally stealing things to sell back to us, whilst at the same time making sure we have to use their services as it is becoming too costly to have a decent set up in our homes and offices.
But lets get back to content. I like writing. I am not great at it, but I find it pleasing to show others what I have worked on, and the adventures I have had.
I write for humans, and therefore, I also expect that when I read something, it is also written by humans. I prefer to be able to see the writing style of specific authors, as that is part of the experience. They own their voice.
In my case, that has always been including em-dashes wherever I can.
What I do not like to read is generic and bland text. Text that has no weird grammarisms, flair, or emotions.
That is text that comes out of LLMs: Generic slop.
I feel the same about AI "Art".
Over-polished generic images and logos, that you see more and more on signs in front of shops, the Web, and in presentations at conferences.
Not only do I find them boring, it is also taking work away from actual artists. I thought that computers were around to do the boring monotonous work?
This cartoon, by Tjeerd Royaards, nails it on the head.
Unlike AI companies slurping up all content on the Internet, I asked the author for permission to include this into my presentation.
He said no. — "I don't allow the free use of my work, as I depend on my drawing to make a living"
So I went and purchased a digital license.
And this makes perfect sense.
Quality content created by artists, authors, and software professionals is worth something important. And these creators need to be rewarded for their creative work.
Unlike the AI slop generators, I value original art: Writing, photos, images, and source code.
Content by humans, for humans.
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Life Line
I walked 9.6km in 2h5m58s
I walked 7.2km in 1h10m18s
Updated a pet_grooming shop; Deleted a dry_cleaning shop; Confirmed 2 variety_store shops, a fitness_centre, and a convenience shop
I walked 4.1km in 47m50s
I walked 1.2km in 9m08s
Map new layout of Meanwhile Gardens
I walked 10.4km in 1h45m58s
This is probably the shortest chapter I've ever read in any book. And it'll likely stay like that.
Created a bench
Created 10 benches, 3 climbingframes, and 3 other objects; Updated a bicycle_parking and a bench; Deleted a bench
I walked 8.5km in 1h34m09s
Whoop! PHP London is meeting again next week: https://meetu.ps/e/PXrS6/2XF6m/i
Created a massage shop; Confirmed an estate_agent office, a pet_grooming shop, and 2 other objects
I walked 9.9km in 1h50m43s
Add Canteen building back in, with additional tags
Twyford Station footpahts and road layout
Created 2 crossings and an insect_hotel
Created a bicycle_parking; Updated a bench
Updated a cafe
I walked 6.7km in 1h5m45s
Updated a bench; Deleted a bench
Created 5 gates, a crossing, and 3 other objects
Created a fast_food and a recycling; Updated 2 crossings and a bus_stop
I hiked 23.4km in 5h14m54s


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